{"id":47839,"date":"2026-09-20T10:09:08","date_gmt":"2026-09-20T07:09:08","guid":{"rendered":"https:\/\/haberverkibris.com\/?p=47839"},"modified":"2026-09-20T10:09:08","modified_gmt":"2026-09-20T07:09:08","slug":"mert-ozyurekliler-kibristan-izler-tasiyan-tasarimlarini-shirvanna-markasiyla-farkli-ulkelere-tasiyor","status":"publish","type":"post","link":"https:\/\/haberverkibris.com\/index.php\/2026\/09\/20\/mert-ozyurekliler-kibristan-izler-tasiyan-tasarimlarini-shirvanna-markasiyla-farkli-ulkelere-tasiyor\/","title":{"rendered":"Mert \u00d6zy\u00fcrekliler, K\u0131br\u0131s\u2019tan izler ta\u015f\u0131yan tasar\u0131mlar\u0131n\u0131 Shirvanna markas\u0131yla farkl\u0131 \u00fclkelere ta\u015f\u0131yor"},"content":{"rendered":"

\u00d6zy\u00fcrekliler, ilk koleksiyonu \u201cMand\u0131ra\u201ddan Milano\u2019ya ve g\u00f6\u00e7 temas\u0131n\u0131 Avustralya\u2019ya ta\u015f\u0131yacak yeni \u00e7al\u0131\u015fmalar\u0131na uzanan tasar\u0131m yolculu\u011funu TAK\u2019a anlatt\u0131<\/p>\n

\u201cK\u0131br\u0131s\u2019\u0131 yans\u0131tmak misyonumdan \u00e7ok kimli\u011fimin do\u011fal sonucu\u201d<\/p>\n

\u201cLapta Hesap i\u015fi ve Lefkara i\u015fi gibi teknikleri \u00e7a\u011fda\u015f tasar\u0131m i\u00e7inde yeniden yorumluyorum\u201d<\/p>\n

\u201cG\u00f6\u00e7\u2026 Hi\u00e7 kimse, ya\u015fad\u0131\u011f\u0131 toprak onu mutlu ediyorsa ba\u015fka bir yere gitmez\u201d<\/p>\n

\u201c\u0130nsanlar\u0131m\u0131z\u0131n neden g\u00f6\u00e7 etmek zorunda kald\u0131\u011f\u0131 \u00fczerine d\u00fc\u015f\u00fcn\u00fcl\u00fcrse bu yolculu\u011fu ba\u015far\u0131l\u0131 sayaca\u011f\u0131m\u201d<\/p>\n

Akdo\u011fan\u2019da \u00e7ok sevdi\u011fi dedesinden kalan evin odalar\u0131nda bug\u00fcn diki\u015f makinesinin sesi duyuluyor. Eski masa \u00f6rt\u00fcleri, aileden kalan kuma\u015flar, K\u0131br\u0131s\u2019\u0131n g\u00fcndelik hayat\u0131 ve Mesarya, Mert \u00d6zy\u00fcrekliler\u2019in ellerinde yeni hikayelere d\u00f6n\u00fc\u015f\u00fcyor. \u00d6zy\u00fcrekliler, \u015fimdi ise bu hikayeleri Avustralya\u2019da sergileyece\u011fi g\u00f6\u00e7 temal\u0131 koleksiyonuna ta\u015f\u0131yor.<\/p>\n

K\u0131br\u0131sl\u0131 T\u00fcrk moda tasar\u0131mc\u0131s\u0131 ve Shirvanna markas\u0131n\u0131n kurucusu 28 ya\u015f\u0131ndaki \u00d6zy\u00fcrekliler, kas\u0131m ay\u0131nda Sydney\u2019de d\u00fczenlenecek Fabrics of Modern Australia (FOMA) etkinli\u011finde yeni koleksiyonundan 10 tasar\u0131m\u0131 sergilemeye haz\u0131rlan\u0131yor.<\/p>\n

\u00d6zy\u00fcrekliler, geride b\u0131rak\u0131lan e\u015fyalar\u0131, saklanan mektuplar\u0131 ve y\u0131llarca s\u00fcren geri d\u00f6nme beklentisini ta\u015f\u0131d\u0131\u011f\u0131 \u201cg\u00f6\u00e7\u201d temal\u0131 yeni koleksiyonunun tamam\u0131n\u0131 ise aral\u0131k ay\u0131nda K\u0131br\u0131s\u2019taki ilk defilesiyle tan\u0131tmay\u0131 planl\u0131yor.<\/p>\n

T\u00fcrk Ajans\u0131 K\u0131br\u0131s\u2019a (TAK) konu\u015fan \u00d6zy\u00fcrekliler, Akdo\u011fan\u2019daki at\u00f6lyesinden \u0130ngiltere\u2019deki e\u011fitim y\u0131llar\u0131na, ilk koleksiyonu \u201cMand\u0131ra\u201ddan Milano\u2019ya ve g\u00f6\u00e7 temas\u0131n\u0131 Avustralya\u2019ya ta\u015f\u0131yacak yeni \u00e7al\u0131\u015fmalar\u0131na uzanan tasar\u0131m yolculu\u011funu anlatt\u0131.<\/p>\n

– \u201c\u00c7al\u0131\u015fmalar\u0131mda hep bir \u2018kimlik ifadesi\u2019 var\u201d<\/p>\n

18 ya\u015f\u0131nda \u0130ngiltere\u2019ye giden \u00d6zy\u00fcrekliler, University for the Creative Arts\u2019ta g\u00fczel sanatlar e\u011fitimi ald\u0131. E\u011fitiminin teknik beceriden \u00e7ok ara\u015ft\u0131rmaya, d\u00fc\u015f\u00fcnmeye ve \u00fcretilen i\u015fin arkas\u0131ndaki fikri sorgulamaya odakland\u0131\u011f\u0131n\u0131 belirten \u00d6zy\u00fcrekliler, \u00fcniversitedeki \u00e7al\u0131\u015fmalar\u0131n\u0131 \u201ckimlik ifadesi\u201d \u00fczerine kurdu\u011funu kaydetti; bu aray\u0131\u015f\u0131n bug\u00fcn moda alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131n\u0131 da \u015fekillendirdi\u011fini s\u00f6yledi.<\/p>\n

\u00d6zy\u00fcrekliler, bu s\u00fcreci anlat\u0131rken \u201cBen ne kadar kendimi ifade etmeye \u00e7al\u0131\u015f\u0131rsam o kadar i\u00e7ime d\u00f6n\u00fcp bakar\u0131m, kendimi o kadar \u00e7ok tan\u0131r\u0131m. Kendimi ifade edersem \u2018Ben buyum\u2019 diyebilirim. Etmezsem herkesin s\u00f6yledi\u011fi, herkesin yazd\u0131\u011f\u0131 olurum.\u201d dedi.<\/p>\n

Moda tasar\u0131m\u0131na ge\u00e7i\u015finin planl\u0131 olmad\u0131\u011f\u0131n\u0131; ba\u015flang\u0131\u00e7ta bir \u015feyler dikip satarak gelir elde etmek istedi\u011fini anlatan \u00d6zy\u00fcrekliler, ilk diki\u015f makinesini 2019\u2019da ald\u0131\u011f\u0131n\u0131, s\u0131k s\u0131k bozulan bu makineyle \u00e7ocukluk oyunlar\u0131nda yaratt\u0131\u011f\u0131 hayali bir karakter olan Shirvanna ismini zamanla bir markaya d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fc kaydetti.<\/p>\n

Askerlik d\u00f6neminin yan\u0131 s\u0131ra iki y\u0131l hasta olan dedesine bakt\u0131\u011f\u0131n\u0131 anlatan \u00d6zy\u00fcrekliler, bu s\u00fcre\u00e7te \u00fcretiminin zaman zaman yava\u015flad\u0131\u011f\u0131n\u0131 ancak kuma\u015fla \u00e7al\u0131\u015fman\u0131n hayat\u0131ndaki yerini korudu\u011funu s\u00f6yledi. \u00d6zy\u00fcrekliler, \u201cResim yapmay\u0131 ve sanat\u0131 severim. Ama kuma\u015flarla daha rahat\u0131m. Her g\u00fcn resim yapma ihtiyac\u0131 hissetmem ama dikme ihtiyac\u0131 hissederim. Farkl\u0131 disiplinlerde yeti\u015fen insanlar\u0131n moda tasar\u0131m\u0131na farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131 getirdi\u011fini d\u00fc\u015f\u00fcn\u00fcyorum.\u201d ifadelerini kulland\u0131.<\/p>\n

– \u201cK\u0131br\u0131s k\u00fclt\u00fcr\u00fcndeki zanaatlar\u0131 ara\u015ft\u0131r\u0131yorum, kaybolma tehlikesi olan teknikleri \u00f6\u011frenmeye \u00e7al\u0131\u015f\u0131yorum\u201d<\/p>\n

Yakla\u015f\u0131k alt\u0131 y\u0131ld\u0131r k\u00fc\u00e7\u00fck \u00f6l\u00e7ekte \u00fcretim yapan \u00d6zy\u00fcrekliler, son iki-\u00fc\u00e7 y\u0131lda ise K\u0131br\u0131s k\u00fclt\u00fcr\u00fcndeki zanaatlar\u0131 ara\u015ft\u0131rmaya ve kaybolma tehlikesi bulunan teknikleri \u00f6\u011frenmeye yo\u011funla\u015ft\u0131.<\/p>\n

Nak\u0131\u015ftan kal\u0131ba, tekstil tasar\u0131m\u0131ndan diki\u015fe kadar b\u00fct\u00fcn a\u015famalar\u0131 tek ba\u015f\u0131na y\u00fcr\u00fcten \u00d6zy\u00fcrekliler, Lapta Hesap i\u015fi ve Lefkara i\u015fi gibi teknikleri \u00e7a\u011fda\u015f tasar\u0131m i\u00e7inde yeniden yorumlad\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n

Bu zanaatlar\u0131n gen\u00e7 nesiller taraf\u0131ndan \u00e7ok bilinmedi\u011fini kaydeden \u00d6zy\u00fcrekliler, ileride bu becerileri gen\u00e7 nesillere aktarmay\u0131 hedefledi\u011fini s\u00f6yledi. \u00d6zy\u00fcrekliler, \u201cBelki bir g\u00fcn bunlar\u0131 bilen son insanlardan biri olaca\u011f\u0131m. Belki 70 ya\u015f\u0131ma geldi\u011fimde bu at\u00f6lyenin balkonunda \u00e7ocuklara \u00f6\u011fretece\u011fim. Bu kadar bilgiyi \u00f6\u011frendikten sonra aktarmamak bencillik olur. Benimle \u00f6lmesini istemem.\u201d dedi.<\/p>\n

– \u201cHer materyalin bir dili vard\u0131r. Onu kendi dilinde konu\u015fturabilirseniz konu\u015fur\u201d<\/p>\n

\u00d6zy\u00fcrekliler, dedesinin evini at\u00f6lyeye d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcne dikkat \u00e7ekerek, Shirvanna\u2019n\u0131n ilk resmi koleksiyonu olan \u201cMand\u0131ra\u201dn\u0131n yine bu evde buldu\u011fu bir malzemeyle ba\u015flad\u0131\u011f\u0131n\u0131 kaydetti: par\u00e7alanan yorgan\u0131n i\u00e7inden \u00e7\u0131kan, atmaya k\u0131yamad\u0131\u011f\u0131 koyun y\u00fcnleri.<\/p>\n

Bu y\u00fcnlerle yapt\u0131\u011f\u0131 tasar\u0131m\u0131n da yer ald\u0131\u011f\u0131 Mesarya\u2019y\u0131, ailesinin hayvanc\u0131l\u0131k ge\u00e7mi\u015fini ve k\u0131rsal eme\u011fi oda\u011f\u0131na alan koleksiyonunu, 2025\u2019te Milano Moda Haftas\u0131 g\u00fcnlerinde d\u00fczenlenen D\u00fcnya S\u00fcrd\u00fcr\u00fclebilirlik \u00d6rg\u00fct\u00fc\u2019n\u00fcn g\u00f6sterisinde sergileyen \u00d6zy\u00fcrekliler, \u015funlar\u0131 s\u00f6yledi:<\/p>\n

\u201cHer materyalin bir dili vard\u0131r. Onu kendi dilinde konu\u015fturabilirseniz konu\u015fur. Ben bu koyun y\u00fcn\u00fcn\u00fc bir yere koymasam da duyana konu\u015fur, g\u00f6rebilene kendini g\u00f6sterir. Ancak onu ba\u015fka bir ba\u011flama yerle\u015ftirdi\u011finizde kendini daha rahat ifade eder.\u201d<\/p>\n

Kulland\u0131\u011f\u0131 kuma\u015flar\u0131n b\u00fcy\u00fck b\u00f6l\u00fcm\u00fcn\u00fcn kendisine verilen veya y\u0131llar i\u00e7inde bulup toplad\u0131\u011f\u0131 malzemelerden olu\u015ftu\u011funu kaydeden \u00d6zy\u00fcrekliler, eldeki kuma\u015flara y\u00f6nelmesinin s\u00fcrd\u00fcr\u00fclebilirlik d\u00fc\u015f\u00fcncesinden \u00f6nce maddi ko\u015fullardan kaynakland\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n

Bunun yan\u0131nda modada s\u00fcrd\u00fcr\u00fclebilirli\u011fin \u00f6nemine dikkat \u00e7eken \u00d6zy\u00fcrekliler, ge\u00e7mi\u015fte K\u0131br\u0131s\u2019ta insanlar\u0131n ellerindeki malzemeleri yeniden kullanmas\u0131n\u0131n g\u00fcndelik hayat\u0131n do\u011fal bir par\u00e7as\u0131 oldu\u011funu vurgulayarak, \u201cAs\u0131l s\u00fcrd\u00fcr\u00fclebilirlik bizim k\u00fclt\u00fcr\u00fcm\u00fczdedir. \u0130nsanlar\u0131m\u0131z s\u00fcrd\u00fcr\u00fclebilir ya\u015fard\u0131. Ben de bunu i\u015fimde kullanmaya \u00e7al\u0131\u015f\u0131yorum.\u201d dedi.<\/p>\n

– \u201cAktarmazsak hi\u00e7 ya\u015fanmam\u0131\u015f olacak\u2026 Ama o insanlar bunlar\u0131 bo\u015funa ya\u015famad\u0131\u201d<\/p>\n

Tasar\u0131mlar\u0131nda geleneksel k\u0131yafetlere ve hayvanc\u0131l\u0131\u011fa g\u00f6ndermeler bulundu\u011funu anlatan \u00d6zy\u00fcrekliler, bunun ba\u015ftan belirlenmi\u015f bir \u201cK\u0131br\u0131s\u2019\u0131 yans\u0131tma\u201d misyonundan \u00e7ok kendi kimli\u011finin do\u011fal sonucu oldu\u011funu s\u00f6yledi ve \u015funlar\u0131 kaydetti:<\/p>\n

\u201cBu adada herkesin yolu bir \u015fekilde mand\u0131radan ge\u00e7mi\u015ftir. Mand\u0131ra olmasa bir domates, bir karpuz ekmi\u015ftir. Modernizmin etkisiyle K\u0131br\u0131s\u2019ta farkl\u0131 bir hayat ya\u015famaya \u00e7al\u0131\u015f\u0131yoruz. \u0130nsanlar\u0131 da anl\u0131yorum. Ancak ben d\u00f6n\u00fcp kim oldu\u011fumuza bakal\u0131m istedim. Bu da bir kimlik sorgulamas\u0131yd\u0131.\u201d<\/p>\n

\u00d6zy\u00fcrekliler, ge\u00e7mi\u015f ku\u015faklar\u0131n hikayelerini dinledik\u00e7e eski bulundu\u011fu i\u00e7in g\u00f6zden ka\u00e7\u0131r\u0131lan alanlarda aktar\u0131lmas\u0131 gereken b\u00fcy\u00fck bir birikim oldu\u011funu fark etti\u011fini belirterek, bir\u00e7ok sorunun yeterince ifade edilememi\u015f olmas\u0131ndan kaynakl\u0131 oldu\u011funa inand\u0131\u011f\u0131n\u0131 s\u00f6yledi. Bu noktada kendini sorumlu hissetti\u011fini kaydeden \u00d6zy\u00fcrekliler, \u201cBana \u00f6yle geliyor ki aktarmazsak hi\u00e7 ya\u015fanmam\u0131\u015f olacak. O insanlar bo\u015funa ya\u015fam\u0131\u015f gibi olacak. Ama bo\u015funa ya\u015famad\u0131lar. Ben bu ya\u015fanm\u0131\u015fl\u0131\u011fa yo\u011funla\u015fmak istiyorum.\u201d dedi.<\/p>\n

– \u201c100 tane hatal\u0131 g\u00f6mlek dikmi\u015fimdir, 101. hatas\u0131z oldu\u201d<\/p>\n

K\u0131br\u0131s\u2019ta gen\u00e7lerin engellere tak\u0131lmadan hedeflerini i\u00e7in \u00e7al\u0131\u015fmalar\u0131n\u0131n \u00f6nemini vurgulayan \u00d6zy\u00fcrekliler, kendinin t\u00fcm maddi imkans\u0131zl\u0131klara ra\u011fmen bu a\u015famaya gelebildi\u011fini kaydetti. \u00d6zy\u00fcrekliler, \u201cY\u00fcz tane hatal\u0131 g\u00f6mlek dikmi\u015fimdir; 101\u2019incisi hatas\u0131z oldu. Ama o y\u00fcz hatay\u0131 yapmadan 101\u2019inciyi dikemezdim. Hata yapacaks\u0131n\u0131z.\u201d dedi.<\/p>\n

Di\u011fer yandan, \u00e7al\u0131\u015fmalar\u0131n\u0131 gelire d\u00f6n\u00fc\u015ft\u00fcrme konusunda ya\u015fad\u0131\u011f\u0131 zorluklara de\u011finen, \u00fcretimini maddi olarak s\u00fcrd\u00fcr\u00fclebilir k\u0131lman\u0131n yollar\u0131n\u0131 arad\u0131\u011f\u0131n\u0131 kaydeden \u00d6zy\u00fcrekliler, \u00f6zellikle koleksiyon d\u00f6nemlerinde \u00f6zel sipari\u015f almakta zorland\u0131\u011f\u0131n\u0131, baz\u0131 par\u00e7alar\u0131n el i\u015flemesinin iki-\u00fc\u00e7 g\u00fcn s\u00fcrd\u00fc\u011f\u00fcn\u00fc anlatt\u0131.<\/p>\n

Markay\u0131 b\u00fcy\u00fctmek istedi\u011fini ancak \u00fcretimden kopaca\u011f\u0131 geleneksel bir butik veya b\u00fcy\u00fck moda markas\u0131 modeline d\u00f6n\u00fc\u015fmek istemedi\u011fini belirten \u00d6zy\u00fcrekliler, Lefko\u015fa\u2019da \u00e7al\u0131\u015fmalar\u0131n\u0131 daha ula\u015f\u0131labilir k\u0131lacak bir alan a\u00e7may\u0131 da istedi\u011fini ifade etti.<\/p>\n

– G\u00f6\u00e7\u2026 \u201cBir insan neden 28 saat uzaktaki bir yere gider?\u201d<\/p>\n

Yeni koleksiyonu \u00fczerinde Kas\u0131m ay\u0131nda Avusturalya\u2019da d\u00fczenlenecek FOMA\u2019ya kat\u0131lma daveti almas\u0131yla birlikte \u00e7al\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131n\u0131 kaydeden \u00d6zy\u00fcrekliler, Avustralya\u2019n\u0131n uzakl\u0131\u011f\u0131 ile K\u0131br\u0131sl\u0131 T\u00fcrklerin bu \u00fclkedeki varl\u0131\u011f\u0131 aras\u0131nda kurdu\u011fu ba\u011f\u0131n koleksiyona y\u00f6n verdi\u011fini, g\u00f6\u00e7 izlerini ta\u015f\u0131yan bir koleksiyon s\u00fcrecine girdi\u011fini belirtti.<\/p>\n

\u00d6zy\u00fcrekliler, \u201cBir insan neden 28 saat uzakl\u0131ktaki bir yere gider? Durup bunu d\u00fc\u015f\u00fcnd\u00fcm. Neden? Demek ki gitmek zorunda kald\u0131lar.\u201d ifadelerini kulland\u0131.<\/p>\n

G\u00f6\u00e7\u00fc siyasi olaylar\u0131n kronolojisinden \u00e7ok insan duygusu \u00fczerinden ele almak istedi\u011fini s\u00f6yleyen \u00d6zy\u00fcrekliler, insanlar\u0131n geride ne b\u0131rakt\u0131\u011f\u0131na, yanlar\u0131nda ne g\u00f6t\u00fcrd\u00fc\u011f\u00fcne ve ya\u015fananlar\u0131n sonraki ku\u015faklara nas\u0131l aktar\u0131ld\u0131\u011f\u0131na odakland\u0131\u011f\u0131n\u0131 ifade ederek, \u015funlar\u0131 s\u00f6yledi:<\/p>\n

\u201cG\u00f6\u00e7, ge\u00e7mi\u015ften bug\u00fcne bu co\u011frafyan\u0131n hep bir par\u00e7as\u0131 oldu. Buradan giden de buraya gelen de var. Hi\u00e7 kimse, ya\u015fad\u0131\u011f\u0131 toprak onu mutlu ediyorsa \u00e7\u0131k\u0131p ba\u015fka bir yere gitmez. Herkes kendisi ve ailesi i\u00e7in, daha iyi ya\u015fam \u015fartlar\u0131 arayarak bir yere gider. Bu nedenle ben buraya gelen hi\u00e7 kimseyi de yarg\u0131lamam.\u201d<\/p>\n

– \u201cYa\u015fan\u0131lanlar\u0131n d\u00fc\u015f\u00fcn\u00fclmesi i\u00e7in k\u00fc\u00e7\u00fck bir kap\u0131 a\u00e7maya \u00e7al\u0131\u015f\u0131yorum\u2026 Zaten sanat\u0131n olay\u0131 o\u201d<\/p>\n

Ailesinden kendisine kalan \u201cait olamama halinin\u201d koleksiyonun merkezinde bulundu\u011funu belirten \u00d6zy\u00fcrekliler, anneannesinin halen G\u00fcney\u2019deki eski k\u00f6y\u00fcnden \u201cbizim oralar\u201d diye s\u00f6z etti\u011fine dikkat \u00e7ekti.<\/p>\n

\u00d6zy\u00fcrekliler, \u201cAnneannem buraya hi\u00e7bir zaman ait hissedemedi. Dedem 50-60 y\u0131l bu evde ya\u015fad\u0131 ama eve bir \u00e7ivi \u00e7akmad\u0131; ge\u00e7ici oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc. \u0130lk y\u0131l geri gideceklerini d\u00fc\u015f\u00fcnd\u00fcler. Sonra \u2018Belki bir y\u0131l sonra\u2019 dediler. O bir y\u0131l, bir y\u0131l derken 50 y\u0131l ge\u00e7ti. Bu insanlar s\u00fcrekli bir bekleme halindeydi.\u201d dedi.<\/p>\n

G\u00f6\u00e7\u00fcn K\u0131br\u0131s\u2019ta yaln\u0131zca 1974\u2019le s\u0131n\u0131rland\u0131r\u0131lamayaca\u011f\u0131n\u0131 belirten \u00d6zy\u00fcrekliler, ara\u015ft\u0131rmas\u0131nda 1974\u2019teki zorunlu yer de\u011fi\u015ftirmelerin yan\u0131 s\u0131ra daha \u00f6nce \u0130ngiltere\u2019ye, Avustralya\u2019ya ve ba\u015fka \u00fclkelere giden insanlar\u0131n hikayelerine de bakt\u0131\u011f\u0131n\u0131 kaydetti.<\/p>\n

Ara\u015ft\u0131rmas\u0131 s\u0131ras\u0131nda K\u0131br\u0131s\u2019tan \u00e7e\u015fitli \u00fclkelere g\u00f6\u00e7 eden ki\u015filerin hikayelerini dinledi\u011fini, mektuplar\u0131n\u0131 okudu\u011funu, video anlat\u0131lar\u0131n\u0131 dinledi\u011fini belirten \u00d6zy\u00fcrekliler, g\u00f6\u00e7le ba\u011flant\u0131l\u0131 somut objelere de yer verdi\u011fi tasar\u0131mlar\u0131n\u0131n merkezinde insan\u0131n yerinden edilme deneyiminin bulundu\u011funu vurgulad\u0131.<\/p>\n

Koleksiyonda verece\u011fi mesaj\u0131n ne olaca\u011f\u0131na y\u00f6nelik soruya ise \u00d6zy\u00fcrekliler, \u201cBenim \u2018bu budur\u2019 deme gailem yok. Mesaj vermeye de\u011fil, sorgulatmaya \u00e7al\u0131\u015f\u0131yorum. Ya\u015fan\u0131lanlar\u0131 d\u00fc\u015f\u00fcnmek i\u00e7in k\u00fc\u00e7\u00fck bir kap\u0131 a\u00e7mak istiyorum. Zaten sanat\u0131n olay\u0131 o.\u201d ifadelerini kulland\u0131.<\/p>\n

– \u201cEmek, sab\u0131r ve zanaat\u201d<\/p>\n

Avustralya yolculu\u011funun ba\u015far\u0131s\u0131n\u0131 sat\u0131\u015ftan veya g\u00f6r\u00fcn\u00fcrl\u00fckten \u00f6nce izleyicide yarataca\u011f\u0131 d\u00fc\u015f\u00fcnceyle \u00f6l\u00e7ece\u011fini vurgulayan \u00d6zy\u00fcrekliler, \u201c\u0130nsanlar\u0131m\u0131z\u0131n neden g\u00f6\u00e7 etmek zorunda kald\u0131\u011f\u0131 daha \u00e7ok sorgulan\u0131rsa bu yolculu\u011fu ba\u015far\u0131l\u0131 sayaca\u011f\u0131m. G\u00f6\u00e7 eden insanlar\u0131n ya\u015fad\u0131klar\u0131na ili\u015fkin izleyicide empati yaratabilirsem ne mutlu bana.\u201d \u015feklinde konu\u015ftu.<\/p>\n

FOMA\u2019dan d\u00f6nd\u00fckten sonra aral\u0131k ay\u0131nda koleksiyonun tamam\u0131n\u0131 K\u0131br\u0131s\u2019taki ilk defilesiyle sunmaya haz\u0131rlanan \u00d6zy\u00fcrekliler, Avustralyal\u0131 izleyicinin Shirvanna ve K\u0131br\u0131s hakk\u0131nda ne hat\u0131rlamas\u0131n\u0131 istedi\u011fi sorusunu \u00fc\u00e7 kelimeyle yan\u0131tlad\u0131.<\/p>\n

\u00d6zy\u00fcrekliler, \u201cEmek, sab\u0131r ve zanaat.\u201d dedi.<\/p>\n

\u00a0<\/p>\n

Haber: Cemre Peral Yan\u0131ker \u2013 Foto\u011fraf: Timu\u00e7in Y\u0131ld\u0131r\u0131m<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00d6zy\u00fcrekliler, ilk koleksiyonu \u201cMand\u0131ra\u201ddan Milano\u2019ya ve g\u00f6\u00e7 temas\u0131n\u0131 Avustralya\u2019ya ta\u015f\u0131yacak yeni \u00e7al\u0131\u015fmalar\u0131na uzanan tasar\u0131m yolculu\u011funu TAK\u2019a anlatt\u0131 \u201cK\u0131br\u0131s\u2019\u0131 yans\u0131tmak misyonumdan \u00e7ok kimli\u011fimin do\u011fal sonucu\u201d \u201cLapta Hesap i\u015fi ve Lefkara i\u015fi gibi teknikleri \u00e7a\u011fda\u015f tasar\u0131m i\u00e7inde yeniden yorumluyorum\u201d \u201cG\u00f6\u00e7\u2026 Hi\u00e7 kimse, ya\u015fad\u0131\u011f\u0131 toprak onu mutlu ediyorsa ba\u015fka bir yere gitmez\u201d \u201c\u0130nsanlar\u0131m\u0131z\u0131n neden g\u00f6\u00e7 etmek zorunda kald\u0131\u011f\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":47840,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-47839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kibris"],"yoast_head":"\nMert \u00d6zy\u00fcrekliler, K\u0131br\u0131s\u2019tan izler ta\u015f\u0131yan tasar\u0131mlar\u0131n\u0131 Shirvanna markas\u0131yla farkl\u0131 \u00fclkelere ta\u015f\u0131yor - Haber Ver K\u0131br\u0131s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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